Visual Industry Guide
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Tamron's 100-400/4.5-6.3 VC is a long telephoto zoom that's corrected for full-frame sensors and available in Canon and Nikon DSLR mounts. It's the first 100-400mm from Tamron and comes hot on the heels of Sigma's 100-400mm Contemporary. Find out how they compare in our review!…
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Tamron's 24-70mm f2.8 VC G2 is the second version of its popular general-purpose zoom for full-frame DSLRs. The new model improves the AF, adds weather-sealing and supports customization via the TAP console. Thomas finds out if it's the best 24-70mm f2.8 in his in-depth review!…
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The Nikon AF-P 70-300mm f4.5-5.6E is a stabilized 4.3x telephoto zoom corrected for use on full-frame Nikon DSLRs. It's the successor to Nikon's popular but 11 year old AF-S 70–300mm 4.5–5.6G. Thomas finds out how it compares to this and other rivals in his review!…
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The Sigma 24-70mm f2.8 OS Art is a standard zoom for full-frame DSLRs, available in Canon, Nikon and Sigma mounts. It upgrades its decade-old predecessor with ART-level optics and stabilisation. Find out if it's a worthy addition to the ART series in Thomas's review!…
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The Nikon 8-15mm f3.5-4.5E ED is the first Fisheye zoom for Nikon DSLRs, delivering a 180 degree field-of-view to both cropped and full-frame bodies, while also offering a full circular Fisheye image to full-frame. Find out how it performs in Thomas's in-depth review!…
The post Nikon 8-15mm f3.5-4.5 fisheye review appeared first on Cameralabs.
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The Nikon 28mm f1.4E is a medium wide lens corrected for full-frame DSLRs. It fills a gap between the existing 24mm f1.4 and 35mm f1.4 lenses in the Nikon lineup, and features high-end optics, tough build quality and a price to match. Find out why Thomas reckons it's worth the price in his review!…
The post Nikon 28mm f1.4E review appeared first on Cameralabs.
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