Visual Industry Guide
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The Sony E 16-55mm f2.8 G is a high-end general-purpose zoom for E-mount mirrorless cameras with APSC sensors, like the A6000 series. It’s Sony’s first f2.8 zoom designed for APSC mirrorless and one that owners of its higher-end cameras in the series have been crying out for. Find out if it meets expectations in my full review!…
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Sigma's 50mm f1.4 ART is a high-end standard lens with autofocus for Canon, Nikon, Leica-L or Sony mounts. We've completely updated our original review, retesting it at higher resolutions and comparing it to new primes lenses from a variety of manufacturers. Find out why it remains one of the best 50mm lenses around in our review!…
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The Sony A6100 is an upper entry-level mirrorless camera with a 24 Megapixel APSC sensor, 4k video, 11fps shooting, viewfinder and tilting touchscreen. Announced in August 2019, it’s the official successor to the five and a half year old A6000, greatly improving the AF and video features. Check out my hands-on review-so-far!…
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The Sony A6600 is an upper mid-range mirrorless camera with a 24 Megapixel APSC sensor, built-in stabilisation, 4k video, 11fps bursts with autofocus, and increased battery life. It replaces the three-year-old A6500 as Sony’s flagship body and in my in-depth review I'll compare all of its pros and cons to rivals to help you decide!…
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The Canon EOS M6 Mark II is a mid-range mirrorless camera with a 32.5 Megapixel APSC sensor, uncropped 4k video at 25 or 30p with Dual Pixel AF, 14fps shooting with autofocus, a tilting touchscreen and slide-on electronic viewfinder. Check out my sample movies, images, vlog test and overview video!…
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The Canon EOS 90D is an upper mid-range DSLR with a 32.5 Megapixel APSC sensor, Dual Pixel AF for live view and movies, 45-point AF through the viewfinder, 10fps shooting, uncropped 4k video at 25 or 30p, and a fully-articulated touchscreen. Check out my first-looks video and sample images and movies!…
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The Nikon COOLPIX W150 is an affordable rugged waterproof compact designed for active kids and families. It'll survive falls of 1.8m, temperatures down to -10 Celsius and work up to 10m underwater. Take it to the beach, on the piste, by the pool or in the sea without worrying. Find out why every family needs a rugged camera in Ken's COOLPIX W150 review!…
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Sony’s RX100 VII is arguably the most powerful compact camera around. In this post I’ll share a bunch of images I took at the UK’s biggest Pride event in Brighton, where I found it effortlessly tracked subjects, captured wide views and tight portraits, while remaining discreet and convenient throughout!…
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The Cameralabs Cafe podcast returns with Gordon and Doug discussing the Canon G7X III, G5X II and Sony RX100 VII, before moving onto Sony's latest high resolution mirrorless, the A7r IV, then wrapping up with some lens news. So grab a drink and join us in the Cameralabs Cafe for a catch-up of all the recent news and reviews!…
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The Fujifilm FinePix XP140 is a mid-priced waterproof camera with 16 Megapixels, a 5x / 28-140mm zoom and rugged credentials including an impressive 25m depth rating, the ability to operate down to -10 c and survive falls from 1.8m. Ken compared it to pricier and cheaper options to help you make the right choice!…
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The Nikon Z 85mm f1.8 S is a short telephoto lens designed for Nikon’s full-frame Z mirrorless system. It becomes the first native prime lens in the system aimed at portrait photographers who desire classic head-and-shoulders compositions with shallow depth-of-field effects. Thomas compares it to rivals in his in-depth review!…
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The Olympus TOUGH TG-6 is the latest model in the company's massively popular rugged series. It’s waterproof to 15 metres, freezeproof to -10C, can withstand a crushing force of 100Kg and a drop from 2.1m. It keeps the 25-100mm zoom of its predecessor with its bright aperture and unsurpassed macro, but upgrades the screen and underwater modes. Find out if it's still the champion of tough cameras in Ken's review!…
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The Sony RX100 VII is a high-end compact designed for travel, action, video and vlogging, with a 20 Megapixel 1in sensor, 24-200mm zoom, flip screen, popup viewfinder, fast burst shooting, 4k video and mic input. Find out if it’s the compact for you in my review-so-far!…
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The Tamron 17-28mm f2.8 Di III RXD is a small and light wide-angle zoom with a fast f2.8 focal ratio that's designed for Sony E-mount full-frame cameras. It nicely complements Tamron’s earlier 28-75mm f2.8 and comes in at a lower price than Sony’s FE 16-35mm f2.8. See how they compare in Thomas's review!…
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The Sony A7r Mark IV is a full-frame mirrorless camera with 61 Megapixels, 10fps shooting, 4k video up to 30p, built-in stabilisation and a Pixel Shift Composite mode that generates images with up to 240 Megapixels. Find out if it's the high-res body for you in my full review!…
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The Sony FE 50mm f1.4 ZA is a standard prime lens designed for Sony's E-mount mirrorless cameras and corrected for full-frame bodies. It’s Sony’s top-end option with Zeiss optics and a fast f1.4 focal ratio. Find out how it compares to the other options in Thomas’s full review!…
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The Sigma 35mm f1.2 DG DN Art is a mild wide-angle lens designed for full-frame mirrorless cameras and available in the Sony E and Leica L mounts, the latter working on Leica, Panasonic and Sigma L-mount bodies. The brightest 35mm lens with autofocus to date, it delivers attractive bokeh and impressive sharpness. Find out why you'll want it in our review!…
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The Sony FE 35mm f1.8 is a mild wide-angle prime lens for its Alpha mirrorless cameras. It’s Sony’s third native 35mm lens that’s corrected for full-frame bodies, but pitched at a more affordable price and similar in build and quality to the FE 85mm f1.8. Find out more in my preview.…
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The Canon G7X Mark III is a compact aimed at enthusiasts and vloggers. It keeps the 24-100mm f1.8-2.8 lens and much the same body of the G7X II but updates the sensor for faster shooting and uncropped 4k video, and becomes the first 1in compact with a mic input and live streaming straight to YouTube. Check out my in-depth review!…
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The Canon RF 24-240mm f4-6.3 IS USM is the first super-zoom lens for Canon’s full-frame EOS R mirrorless system. It sports the longest zoom range in the system so far while also becoming one of the more affordable models to date. Both make it an ideal ‘kit-zoom’ for the lower cost bodies like the EOS RP. Find out more in my preview!…
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The Canon PowerShot G5X Mark II is a high-end compact with a 1in sensor, 5x / 24-120mm zoom, popup viewfinder, tilting touchscreen, fast bursts and 4k video. Canon’s redesigned the body to become more pocketable while squeezing-in a longer zoom range. Find out if it's your ideal compact in my full review!…
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The Leica DG 10-25mm f1.7 is a high-end zoom with a fast f1.7 focal ratio for Micro Four Thirds. Mounted on a Panasonic or Olympus M43 body, it delivers equivalent coverage of 20-50mm, providing a flexible general-purpose range from wide to standard. Highly compelling for photographers and especially videographers, check out my in-depth review!…
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The Canon Zoemini S, or IVY CLIQ+, is a pocketable instant camera that captures 8 Megapixel images and outputs them as 2x3in instant prints one minute after taking the shot. You can also save images onto an SD card or print from your phone via Bluetooth. Find out how Canon’s debut instant camera measures-up in my review!…
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The Lumix S PRO 50mm f1.4 is a high-end prime lens for full-frame mirrorless cameras using the L-mount. 50mm is an ideal general-purpose length while the fast f1.4 focal ratio allows shallow depth-of-field effects. Leica’s optical design delivers excellent results, albeit at a correspondingly ambitious price. Check out my sample images and bokeh tests in my Lumix S PRO 50mm f1.4 review so far!…
The post Panasonic Lumix S Pro 50mm f1.4 review so far appeared first on Cameralabs.
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The Cameralabs podcast returns in a new format where Gordon and Doug discuss not just one camera but all the gear we’ve tested over the last few months. Episode One includes the Lumix S, G90 / G95, Fujifilm GFX100 and Sony FE 200-600mm! Join us in the Cameralabs Cafe!…
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The QNAP TVS-472XT is a four-bay network attached storage device (NAS), sporting 10 Gigabit ethernet as well as dual Thunderbolt 3 ports, allowing not only quicker network access than most NAS units but also supporting direct connections that are fast enough for video editing. Find out how it’s fitted into my workflow in my 6-month review!…
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The Panasonic Lumix S PRO 70-200mm f4 OIS is a telephoto zoom designed for full-frame mirrorless cameras employing the L-mount. Delivering a classic range for portrait shooters or nearby sports and wildlife, it’s the most affordable telephoto for the L-system to date. Find out how it performs in my review-so-far!…
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The Sony FE 200-600mm f5.6-6.3 G OSS is a super-telephoto zoom for Alpha mirrorless cameras aimed at sports, aviation and wildlife photography without breaking the bank. I went hands-on with the new lens, trying it out for football, birds and jetskis. Find out how I got on in my review-so-far!…
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The Sony FE 600mm f4 GM OSS is a super-telephoto lens for the Alpha mirrorless system aimed at professional sports and wildlife photographers. It’s the 10th G Master lens and becomes the longest focal length in the native e-mount catalogue. I tried it out for my hands-on review-so-far!…
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The SanDisk Extreme Portable SSD is a rugged, pocket-sized drive that connects to new and old USB ports and exploits the size, speed and robustness of solid state storage. It works with Macs and PCs and available from 250GB to 2TB. Find out why it’s become an invaluable part of my workflow as a photographer and video editor in my review!…
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