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The Panasonic Lumix LX10 / LX15 is a premium compact with a 1in / 20 Megapixel sensor, a bright 3x / 24-72mm zoom, 4k video and a tilting touchscreen. It jointly replaces the earlier LX7 and LF1, although the LX100 continues as a higher-end option with a viewfinder. The LX10 / LX15 boasts the brightest lens in its class with a 24-72mm equivalent range and f1.4-2.8 aperture. It can capture 4k at 24 to 30p or 1080 at up to 120p for slow motion, and like other Panasonic cameras exploits 4k in a wealth of photo modes. Meanwhile the 3in touchscreen tilts by 180 degrees to face the subject for selfies. Find out how it compares against Canon's G7X Mark II and Sony's RX100 series in my Lumix LX10 / LX15 review!

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Tamron's SP 150-600mm is a super-telephoto zoom for Canon, Nikon and Sony A mounts. The new version, indicated by the A022 / G2 labeling, sports superior coatings, faster focus, better stabilisation, and compatibility with Tamron's TAP-in console for firmware updates. But it's also more expensive than the original A011 version which remains on sale. As such, Tamron's adopted a similar two-tier approach to its 150-600mm, just like Sigma with its Contemporary and Sports versions. To find out if it's worth paying the extra, Thomas, compared the new Tamron against its predecessor, along with both Sigma models, while also including the Nikkor 200-500mm for good measure. Discover the best super-tele for you in his Tamron 150-600mm review!

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Fujfilm's XT2 is a high-end mirrorless camera aimed at demanding enthusiasts. Successor to the original XT1, the XT2 joins the X-Pro2 as a joint flagship with a number of features shared between them; the same 24 Megapixel APS-C X-Trans III sensor with its broader array of embedded PDAF points, twin SD slots, AF joystick, 1/8000 shutter, and the ACROS mono film simulation. The XT2 adds to these with 4k video, a screen that angles sideways as well as vertically, customizable CAF, USB charging and a new portrait grip. In one of my biggest reviews to date, I spent two months testing every aspect of the XT2 and comparing its performance to rivals, both DSLR and mirrorless. Find out if it's the best camera for you in my in-depth Fujifilm XT2 review!

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The Nikon D3400 is the company's latest entry-level DSLR, aimed at beginners or those looking for a step-up in quality and control over a point-and-shoot camera without breaking the bank. The D3400 shares a great deal with the earlier D3300, including the 24 Megapixel APSC sensor, 11-point AF system, 5fps shooting and 1080 video up to 60p, but the big new feature is SnapBridge, Nikon's wireless technology which exploits Bluetooth to maintain a low-power wireless link with smartphones for easy unattended image transfer. Nikon's also claiming an increased battery life up to 1200 shots per charge. Find out if it's the camera for you in my Nikon D3400 review!

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Canon's EOS 5D Mark IV is the long-awaited successor to the 5D Mark III, boosting the resolution to 30.4 Megapixels with a new full-frame sensor that supports Dual Pixel CMOS AF. It accelerates continuous shooting to 7fps, inherits the 3.2in touchscreen and 61-point AF system of the EOS 1Dx Mark II and can film 4k movies (in the DCI Cinema format) up to 30p. The body features improved weather-proofing along with a built-in GPS receiver and Wifi with NFC. In one of my biggest reviews to date, I've delved into the new features and made a wealth of comparisons with rival cameras - find out if it's the body you've been waiting for in my Canon EOS 5D Mark IV review!

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The Leica DG Vario-Elmar 100-400mm f4-6.3 is a powerful telephoto zoom for the Micro Four Thirds system. Mounted on an Olympus or Panasonic body, it delivers an equivalent range of 200-800mm, giving it the longest reach of any native lens in the system. This makes it ideal for wildlife photographers, especially those who prefer to travel light, and it also sports weather-sealing, a zoom-lock and a built-in tripod foot. But is it worth paying the premium over the ageing but still pretty respectable Lumix 100-300mm? Find out in my Leica 100-400mm review!

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The Nikon 105mm f1.4E is a unique telephoto lens boasting the brightest aperture in its class. Previously the longest commonly available lenses with an f1.4 focal ratio stopped at 85mm, and while a 135mm f1.4 has been announced by Mitakon, it's limited to 100 units and not yet available. So right now, Nikon can boast the longest f1.4 lens and it also sports an electromagnetic diaphragm (hence the E label) and fluorine coatings for easier cleaning. As you might expect, the lens isn't exactly cheap, so the question is whether the quality - and in particular the bokeh rendering - is worth it. Find out in our Nikon 105mm f1.4E review!

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The Leica Summilux 12mm f1.4 is a wide-angle prime lens for the Micro Four Third system. Mounted on an Olympus or Panasonic body, it delivers 24mm equivalent coverage, while the f1.4 focal ratio is the brightest for this focal length in the MFT catalogue. It isn't however the first 12mm prime for the system and there are also plenty of zooms which include the 12mm focal length, so the big question is how does it measure-up? To find out I made side-by-side comparisons with the Olympus 12mm f2 and 7-14mm f2.8 PRO zoom. Find out how the Summilux performs in my Leica 12mm f1.4 review!

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Can mirrorless cameras shoot professional sporting events with the same success as a high-end DSLR? Yes, at least with the right model! For the last three years I've shot the World's greatest cycling race, the Tour de France, exclusively with mirrorless cameras and returned with as high a hit-rate as I would with a traditional DSLR. For the 2016 Tour I took Sony's latest Alpha A6300 camera to see if its enhanced AF could out-perform the original A6000 I'd used on previous years. In some respects it certainly took the lead but in others they remained closer than you might expect, and there was also an unwelcome surprise. Whether you're into shooting sports or watching the cycling, there's something for you in my Mirrorless Tour de France article!

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The Ricoh GR II is a compact aimed at enthusiasts with a large APSC sensor and a fixed 28mm equivalent f2.8 lens. It's the successor to the original GR, adding Wifi and NFC, along with a larger buffer for RAW shooting, a faster shutter speed at the maximum aperture and some tweaks to the white balance and video AF options. The GR II may now be celebrating its first birthday, but the more recent launch of Fujifilm's X70 with a similar specification has many wondering which would be best for them. Doug Kaye and I filmed a video to help you choose between them. Check out our Ricoh GR II review!

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Samyang's 135mm f2 is a large aperture telephoto prime lens at an affordable price. Like most previous Samyang lenses, it's manual focus only and also lacks image stabilisation, but these allow it to hit a low price compared to rivals and with impressive image quality to boot. Thomas compared it against the Zeiss and Nikkor 135mm f2 teles, both older options costing considerably more. We think you'll be impressed by the results in his Samyang 135mm f2 review!

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The Zeiss Apo Sonnar 135mm f2.0 is a medium telephoto lens with a large aperture for full-frame bodies and is available in Canon or Nikon mounts. The price tag may not be up there with the company's Otus range, but it's still a lot of money for a lens that's manual focus only with no image stabilization. To find out if it's worth it, Thomas compared the Apo Sonnar 135mm f2 against the ageing Nikkor 135mm f2 and the much more affordable Samyang 135mm f2. Find out which manual-focus telephoto is best for you in his Zeiss Apo Sonnar 135mm f2 review!

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Canon's PowerShot G7X Mark II is a compact aimed at enthusiasts based around a 1in sensor and a 24-100mm f1.8-2.8 lens. On the Mark II, Canon's fitted a screen that can now tilt down as well as up, allows you to de-click the front control ring for smooth adjustments if preferred, and upgraded the image processor to DIGIC 7, equipping the G7X II with timelapse movies along with improved tracking and subject detection. Find out if its the compact for you in my Canon G7X Mark II review where I'll detail the pros and cons, and compare it to its biggest rivals from Sony and Panasonic.

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The PowerShot SX720 HS is Canon's flagship pocket super-zoom camera. It shares the same 20 Megapixel images and 1080 / 60p movies as its predecessor, the SX710 HS, but extends the optical zoom range from 30x to 40x while maintaining virtually the same body size. Boasting a range equivalent to 24-960mm, the SX720 HS out-guns the 30x / 24-720mm of its arch rival, the Lumix TZ80 / ZS60 and is a little cheaper too, but the Lumix fights back with an electronic viewfinder, 4k video and touch-screen. Biggest zoom vs greater features? Find out which pocket super-zoom will be best for you in our Canon SX720 HS review!

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Canon's EOS 80D is an upper mid-range DSLR featuring 24 Megapixels, a 45-point AF system, 7fps burst shooting and Full HD video up to 1080 / 60p. The successor to the popular EOS 70D, the 80D sits in the middle of Canon's DSLR range, offering a step-up in speed, build, control and features over the triple-digit EOS / Rebel DSLRs, but without the cost and heft of semi-pro bodies like the 7D series. Yet with a fully-articulated touch-screen, Dual Pixel CMOS AF and built-in Wifi with NFC, it could end up being the best-featured body for you. Find out more in my in-depth Canon 80D review which includes two video reviews and comparisons against Nikon's D7200!

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The Olympus TG Tracker is an action-camera, designed to handle tough conditions and return not just with stills and movies, but also detailed logs of the action. Sporting a multitude of sensors, the TG Tracker can detect acceleration, altitude or depth, temperature and direction of movement, and log them all for later analysis. It's waterproof to 30m, can handle a fall from 2.1m, temperatures down to -10c and survive pressures of 100Kg. The 8 Megapixel sensor is optimised for 4k video and the camera also features a built-in LED light for illuminating dim conditions - great for underwater shooting. Find out how it measures-up compared to other action cameras including the GoPro Hero4 and Sony X1000V in our Olympus TG Tracker review!

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The Nikon D500 is a pro DSLR with a 20 Megapixel APSC sensor. Announced alongside the full-frame D5, it brings features from the flagship to a smaller, lighter and more affordable body. Headlines include 10fps continuous shooting, a new 153-point AF system inherited from the D5, a large viewfinder, weather sealing, a 3.2in tilting touch-screen, dual memory card slots, 4k movies and built-in Wifi, NFC and Bluetooth, the latter exploited by Nikon's new SnapBridge technology. I spent several weeks testing the D500 for my in-depth review - find out if it's the sports and wildlife DSLR you've been waiting for in my Nikon D500 review!

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The EOS 1300D, or Rebel T6 as it's known in North America, is Canon's latest entry-level DSLR. It represents a minor update to the earlier 1200D / T5, sharing its body, viewfinder, 9-point AF system, 18 Megapixel CMOS sensor, 1080p movies and 3fps continuous shooting. New to the 1300D / T6 are the long overdue inclusion of Wifi - here with NFC for touch-initiation on compatible phones - a slightly faster image processor with a new food preset and better-handling of Tungsten white balance, and a higher resolution panel for the screen. Find out if it's the best bet for an entry-level buyer in my Canon 1300D / T6 review!

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Panasonic's Lumix GX80, or GX85 as it's known in North America, is a compact, affordable and feature-packed mirrorless camera. It sports a 16 Megapixel Micro Four Thirds sensor (now without a low-pass filter for crisper results), improved built-in stabilisation that works with any lens you attach, a viewfinder, tilting touchscreen, 8fps shooting (or 6fps with continuous AF) and 4k video with Panasonic's cunning options for extracting still photos from 30fps footage or refocusing a composition after the event. With effective upgrades on the stabilisation, autofocus and image quality, Panasonic has delivered a highly compelling camera, especially at the mid-range price-point. I spent a solid month testing the GX80 / GX85 for my in-depth review, and as always if you find my work useful you can support me by shopping for anything through my Amazon links, or treating me to a coffee - cheers!

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Fujifilm's X-Pro2 is the new flagship body in the mirrorless X-series, featuring a hybrid viewfinder, dual SD slots, weather-sealing and a new 24 Megapixel X-Trans CMOS sensor with a broader array of embedded Phase Detect AF. It's coupled with a faster 1/8000 shutter, new 'ACROS' mono film simulation and built-in Wifi. There's a few notable omissions, such as no 4k video nor a tilting a touch-sensitive screen, but from the X-Pro1 owner's perspective it's a dream come true. I spent two months testing the X-Pro2 for my review - find out if it's the pro mirrorless body for you!

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The Tamron SP 85mm f1.8 Di VC USD is a stabilized full-frame short telephoto lens available in Canon, Nikon, and Sony A mounts. Announced in February 2016, it complements Tamron's series of f1.8 full-frame primes, and is also compatible with Tamron's new TAP-in Console USB dock. The optical stabilisation is fairly unique for a prime lens of this length and in our tests the optical quality is up there with lenses costing a great deal more. Thomas has now completed his tests and if you're in the market for a high quality short telephoto lens, I'd advise you read his Tamron SP 85mm f1.8 review!

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The Fujifilm X70 is a compact camera which couples the large APS-C / 16 Megapixel sensor of the XT1 and X100T with a fixed 28mm equivalent f2.8 lens. It's aimed at enthusiasts who want the quality of Fujifilm's interchangeable lens cameras but in an even smaller and lighter body than the X100T. To save space, weight and cost, there's no built-in viewfinder, but you can slot an optional rangefinder onto the hotshoe and the X70 becomes the first model in the X-series to feature a screen that not only tilts all the way up to face the subject for selfies, but with a touch-sensitive panel too. Find out if it's the compact you've been waiting for in my Fujifilm X70 review!

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The Lumix TZ80, or ZS60 as it's known in North America, is a pocket super-zoom camera which updates last year's popular TZ70 / ZS50. It shares the same pocketable body, the same 30x / 24-720mm zoom range and the same built-in viewfinder, but this year's upgrades add a touch-sensitive screen, 4k video and a boost in resolution to 18 Megapixels. It makes an already compelling camera even better and you can find out if it's right for you in my Panasonic Lumix TZ80 / ZS60 review!

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The Tamron SP 90mm f2.8 Di Macro VC USD is a stabilized full-frame macro lens available in Canon, Nikon, and Sony A mounts. Announced in February 2016, it's an update to a 2012 model, now claiming better stabilisation; Tamron refers to the old model as the F004 and the new model as the F017. Is it the right lens for you? Check out Thomas's Tamron SP 90mm f2.8 review where he compares it against the classic Nikon AF-S 105mm f2.8 Macro.

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Sony's Alpha A6300 is the long-awaited successor to the best-selling A6000, employing a new 24 Megapixel APSC sensor with 425 embedded phase-detect AF points covering 99% of the area - both broader and denser than the A6000. It'll shoot with CAF at 11fps, or at 8fps with minimal blackout and a live view. It also has 4k video at 30p and 1080 at 120p, along with an improved viewfinder. It all adds up to one of the most confident cameras around for shooting sports and action, whether DSLR or mirrorless, and the movie capabilities are very impressive too. Find out if it's the right camera for you in my Sony A6300 review!

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The Lumix TZ100, or ZS100 as it's known in North America, is Panasonic's new top-end travel-zoom camera. After a decade of steadily increasing zoom ranges, the TZ100 / ZS100 breaks the mould by becoming the first in the series to employ a much larger 1in sensor with roughly four times the area of the previous sensor. Impressively Panasonic has still managed to squeeze-in a 10x / 25-250mm zoom range into a body that remains pocketable, along with a viewfinder, touch-screen, Wifi and 4k video. Find out if it's the pocket super-zoom for you in our Panasonic Lumix TZ100 / ZS100 review!

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Sony's Alpha A7s Mark II is a full-frame mirrorless camera that specializes in 4k video and low light shooting. The A7s II takes the 12 Megapixel full-frame sensor of the original A7s and fits it into the updated body of the A7r Mark II. So it inherits the improved viewfinder, built-in stabilisation, chunkier grip and repositioned controls, and, most importantly, internal 4k recording. The big question is whether to go for the A7s II or the A7r II, so I've made a number of photo, 4k video, burst shooting and autofocus comparisons to help you choose the right model! It's all in my in-depth Sony A7s II review!

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Fujifilm's XF 90mm f2 is a bright telephoto lens for X-series bodies. It's the longest prime in the X-series, delivering classic telephoto coverage of 135mm that's ideal for shooting portraits at a comfortable distance, along with capturing close-range sporting action. The f2 focal ratio easily achieves a shallow depth-of-field, the quad-linear motor claims fast and quiet autofocus, and like most recent Fujifilm lenses, it's also sealed against dust and moisture. In my Fujifilm XF 90mm f2 review I'll put it through its paces, with in-depth comparisons against the 56mm f1.2!

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The Sigma 24-35mm f2.0 DG HSM Art is a unique lens offering the popular wide-angle focal lengths with a constant and unusually bright aperture for a zoom. It becomes the second zoom in the ART series, following the 24-105mm and is available in Canon, Nikon, and Sigma mounts with the chance to swap the mount should you change systems in the future; it's also compatible with Sigma's USB dock for fine-tuning or firmware updates. It's fairly large, heavy and expensive, but essentially does the job of three fixed wide-angle primes, and as Thomas discovered, the quality is a lot better than you might expect. Find out why this could be the ultimate wide-zoom in his Sigma 24-35mm f2 review!

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Samyang's 24mm f1.4 is a wide angle prime lens with a bright aperture that's corrected for use on full-frame cameras. It's available in Nikon, Canon, Sony E, Fuji X and Micro Four Thirds mounts. Like other Samyang lenses, it's manual focus only, and only the Nikon version will relay any information to the body, but this lack of sophistication allows it to come in at a lower price point than rivals with AF and full communications. The question then is whether the optics hold-up, so to find out Thomas tested it against the Sigma ART 24mm f1.4 and the Nikon AF-S 24mm f1.4G. See which works out best overall in his Samyang 24mm f1.4 review!

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