Visual Industry Guide
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The Galaxy S20 is Samsung’s flagship phone for 2020 and its best yet for photography. Available in three models, the top-end Ultra packs three cameras, one with 108 Megapixels and another with an optical zoom. All can also film 8k video. Check out my sample images from the S20!…
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Back in 2006 I posted my very first review on YouTube. 14 years later, I look back at the Canon 400D / XTi and see how technology and my own presentation have changed!…
The post Vintage bits: Canon 400D XTi 14 years later appeared first on Cameralabs.
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The Fujifilm X100V is a high-end compact camera featuring a 26 Megapixel APSC sensor, fixed 23mm f2 lens, hybrid viewfinder, tilting touch-screen and 4k video. It features a raft of upgrades over its predecessors including weathersealing. Check out my final in-depth review!…
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Sigma has finally released its fabulous triplet of f1.4 APSC lenses in the EF-M mount, transforming Canon's neglected EOS M system. Find out why you'll want them in my video review!…
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The Fujifilm X-T200 is an entry-level mirrorless camera, featuring a 24 Megapixel APSC sensor, built-in viewfinder, fully-articulated 3.5in touchscreen, mic input and uncropped 4k video. Find out more in my preview! …
The post Fujifilm XT200 review – preview appeared first on Cameralabs.
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Time for JPEG to retire? With the 1Dx III, Canon becomes the first traditional camera company to back the more efficient HEIF format which delivers better quality in smaller files. Here's how Canon makes it work.…
The post JPEG vs HEIF: Canon commits to HIF appeared first on Cameralabs.
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The Nikon Z 70-200mm f2.8 VR S is a pro telephoto zoom designed for Nikon’s full-frame Z-series mirrorless cameras. Alongside the earlier Z 24-70mm f2.8 and newer Z 14-24mm f2.8, it completes the holy trinity for the Z system, providing 14-200mm at f2.8. Find out whether it meets or surpasses its already excellent predecessor in our in-depth review!…
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The Nikon D780 is a DSLR with a 24 Megapixel full-frame sensor, uncropped 4k video with autofocus, 7fps bursts and a tilting touchscreen. Essentially upgrading the best-selling D750 with the live view and movie benefits of the Z6 mirrorless, it looks set to be a tempting option for those who still prefer DSLR viewfinders and bodies. Check out my preview. …
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The Nikon COOLPIX A1000 is a pocket super-zoom camera with a 35x range that updates the earlier A900 with a decent electronic viewfinder, touch screen, some new controls, and RAW shooting, all at a price that’s very competitive. In his full review, Ken compares it against its major rival from Panasonic!…
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The Nikon COOLPIX A1000 is a pocket super-zoom camera with a 35x range that updates the earlier A900 with a decent electronic viewfinder, touch screen, some new controls, and RAW shooting, all at a price that’s very competitive. In his full review, Ken compares it against its major rival from Panasonic!…
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The Sigma 24-70mm f2.8 DG DN Art is a general-purpose zoom with a bright and constant f2.8 focal ratio, designed for full-frame mirrorless cameras and available in the native Sony E and Leica L mounts. Find out if it's a viable alternative to Sony and Panasonic's own premium zooms in our full review!…
The post Sigma 24-70mm f2.8 DG DN Art review appeared first on Cameralabs.
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The Mitakon Speedmaster 50mm f0.95 III is an exotic and unusual lens: one of only three f0.95 models available for full-frame bodies at the time of writing, and by far the cheapest too. Available in Sony E, Canon RF and Nikon Z-Mounts, we tested it against luxury f0.95 rivals in our full review! …
The post Zhongyi Mitakon Speedmaster 50mm f0.95 III review appeared first on Cameralabs.
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The Panasonic Lumix TZ95 / ZS80 is a pocket super-zoom camera packing a 30x optical range, 20 Megapixel sensor, 4k video, flip-up touchscreen and built-in viewfinder. It updates its predecessor with a more detailed viewfinder and Bluetooth for easier wireless. In his full review, Ken compares it against the Nikon COOLPIX A1000 and other rivals!…
The post Panasonic Lumix TZ95 ZS80 review appeared first on Cameralabs.
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The Cameralabs Cafe podcast returns! In Episode Four, Gordon and Doug talk about how to choose the best camera for vlogging - and video in general - before recommending a selection of models at various price points! So grab a drink and join us in the Cameralabs Cafe!…
The post Cameralabs Cafe Podcast episode 004 appeared first on Cameralabs.
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The Cameralabs Cafe podcast returns where Gordon and Doug discuss the health and future of the Micro Four Thirds system, take a look at the new Olympus OMD EM5 III and revisit the Lumix G9 which keeps getting better! So grab a drink and join us in the Cameralabs Cafe for a catch-up of all the photography news and reviews!…
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The Nikon Z 24mm f1.8 S is a wide-angle prime lens for Nikon’s Z-series mirrorless cameras. It’s the widest native prime in the series so far, delivering classic coverage with a bright aperture. Like other native Z lenses though, it’s up against adapted F-mount options, so in his complete review, Thomas publishes a series of in-depth comparisons!…
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The Samyang AF 35mm f1.4 FE is a mild wide-angle prime lens for Sony's Alpha mirrorless cameras. Announced in 2017, it offers a bright aperture with autofocus and is priced below the Sony FE 35mm f1.4 ZA, FE 35mm f1.8 or even the FE 35mm f2.8 ZA. Find out why the Samyang left Thomas with mixed impressions but still earned a recommended in his full review!…
The post Samyang AF 35mm f1.4 FE review appeared first on Cameralabs.
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The DJI Mavic Mini is a compact and lightweight drone weighing just 249g, with a half hour maximum flight time and a 12 Megapixel camera with 2.7k video on a three-axis stabilised gimbal. It's DJI's smallest, lightest and cheapest drone to date, aimed at first-time pilots who want to explore aerial photo and videography. Find out why it could be the drone you've been waiting for in Adam's review!…
The post DJI Mavic Mini review appeared first on Cameralabs.
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Sigma's Art lenses for full-frame mirrorless cameras transform the Leica-L mount system, bringing focal lengths, apertures and - crucially - prices that were previously unavailable. They're particularly appealing to Lumix S owners who, due to the high cost of Leica's own lenses, have been limited to Panasonic's initial three lenses so far. Find out why you'll want to invest in Sigma in my latest video!…
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The EOS 1Dx Mark III is Canon's latest flagship DSLR aimed at professional sports and wildlife photographers. I've been testing a final production body to bring you new tests, samples and a new video review of the movie mode!…
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The Canon RF 70-200mm f2.8L IS USM is a bright telephoto zoom for the full-frame EOS R mirrorless system. It’s the shortest and lightest 70-200mm f2.8 lens to date. Find out why it's not just event shooters who'll love it in my in-depth review of the first killer lens for the EOS R system!…
The post Canon RF 70-200mm f2.8L IS USM review appeared first on Cameralabs.
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Fujifilm’s X-Pro3 becomes the joint flagship in the mirrorless X-series, sharing the same 26 Megapixel APSC sensor as the X-T3, but adding the hybrid optical and electronic viewfinder of earlier models coupled with a cunning approach to displays and some neat processing extras. A different camera deserves a different review, so check out my hands-on field test from Florence, Italy!…
The post Fujifilm X-Pro 3 review appeared first on Cameralabs.
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The Olympus OMD EM5 III is a mid-range mirrorless camera aimed at those who value portability and handheld use without compromising features and quality. It inherits the 20 Megapixel sensor from the EM1 II which finally brings it confident autofocus and 4k video, while also boasting improved built-in stabilisation in a slightly lighter but still weather-sealed body. Check out my in-depth review!…
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The Sigma fp is a 24 Megapixel full-frame camera with 4k video, Cinema DNG and an L-mount. It's Sigma's first body to employ the L-mount and the company is steadily making all of its ART prime lenses as well as selected zooms available in native versions. Ahead of my review, check out my sample images and movies!…
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The Sigma fp is a 24 Megapixel full-frame camera with 4k video, Cinema DNG and an L-mount. It's Sigma's first body to employ the L-mount and the company is steadily making all of its ART prime lenses as well as selected zooms available in native versions. Ahead of my review, check out my sample images and movies!…
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The Sigma fp is a 24 Megapixel full-frame camera with 4k video, Cinema DNG and an L-mount. It's Sigma's first body to employ the L-mount and the company is steadily making all of its ART prime lenses as well as selected zooms available in native versions. Ahead of my review, check out my sample images and movies!…
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The Nikon Z50 is a mid-range mirrorless camera with a 20.88 Megapixel APSC sensor, 4k video, viewfinder, tilting touchscreen and 11fps bursts. Announced in October 2019, it’s Nikon’s first DX-format mirrorless camera, which means it uses a cropped APSC sensor. I went hands-on for my preview!…
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The Nikon Z 58mm f0.95 S Noct is a prime lens for Nikon’s full-frame Z-series mirrorless cameras with standard coverage coupled with anything but a standard aperture. It features a unique f0.95 focal ratio gathering almost 4 times more light than f1.8 lenses, earning the "Noct" title. Find out why Thomas describes it as an extraordinary lens in his full review!…
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The Sony A9 II is a high-end 24.2 Megapixel full-frame mirrorless camera, aimed at professional sports photographers. It combines the core A9 features of 20fps silent shooting and zero blackout with a raft of body upgrades from the A7r IV and the latest AF and processing to become Sony’s most professional body. Find out more in my preview!…
The post Sony A9 II review – preview appeared first on Cameralabs.
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