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Sony's Cyber-shot RX100 packs a large 20 Megapixel sensor, bright 3.6x zoom, 1080p video and 10fps burst shooting into a pocket-sized metal body. It's Sony's answer for enthusiasts who want a compact camera without compromising on quality and control, and unlike most efforts to date, it really looks like we've got what we want this time. Find out why this could be the perfect pocket camera for you in my Sony RX100 review!

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The Panasonic Lumix LX7 is a high-end compact aimed at enthusiasts. It replaces the classic LX5 and while it shares the same 24-90mm equivalent range the focal ratio is now brightened from f2-3.3 to f1.4-2.3. This makes it the brightest overall compact, just pipping the Samsung EX2F at the tele end. Other upgrades include 1080p video, 11fps shooting and a 920k dot screen. In a world of system cameras and large sensor compacts the LX7 fights back by going bright. Find out why it remains a highly compelling option for enthusiasts my Panasonic LX7 review!

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The Nikon 24-70mm f2.8 is a top-end zoom aimed at portrait and wedding photographers. It's also ideal for anyone who desires a bright general-purpose zoom for a full-frame body. Like other 24-70mm f2.8 zooms, it's not exactly cheap, so prospective buyers need to know if it's worth the money. Find out how it performs on a demanding D800 in our Nikon 24-70mm f2.8 review, and don't forget to also check out our earlier Tamron 24-70mm f2.8 review as an alternative option.

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Canon's PowerShot SX500 IS is a compact super-zoom with a 30x optical range, 16 Megapixels, 3in screen, full manual control and 720p video. Canon describes it as the World's smallest camera with a 30x zoom and it certainly occupies a unique position in the market - after all, it zooms comfortably longer than pocket models like the best-selling Panasonic TZ30 / ZS20, yet is considerably smaller and lighter than the big guns like Canon's own SX50 HS. So does the SX500 offer an unbeatable combination of portability and reach? Find out in my Canon SX500 IS review!

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Yep, you read that right, I've tested the brand spanking new Nikon D600 against the flagship D800 to see how their noise levels compare! I've compared them at their maximum resolutions and then again with the D800 down-sampled to 24 Megapixels. This first comparison is with in-camera JPEGs but as soon as the D600's NEF files are supported by ACR I'll add a RAW comparison. More tests and of course the full review will follow, but in the meantime check out my Nikon D600 noise results!

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Sony's HX200V is a 30x super-zoom camera with 18 Megapixels, 1080p video, a 3in tilting screen and built-in GPS for tagging your images with their location. As you'd expect from Sony it's not short on gadgets either sporting two intelligent auto modes, 3D shooting, Sweep Panorama and 3D panorama in addition to a range of stacking modes designed to get good results in low light. It sounds good on paper, but how does the successor to the popular HX100V compare to rivals in practice? Find out in my Sony HX200V review!

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Tamron's SP 24-70mm f/2.8 Di VC USD is the first 24-70mm f2.8 zoom with built-in stabilization, and it's available for Canon, Nikon and Sony mounts. Until now, all 24-70mm f2.8 lenses for full-frame DSLRs have been bereft of stabilization, including Canon and Nikon's options, not to mention Sigma's alternative. Tamron cleverly spotted the opportunity to create something different, but is it any good? To find out we took the Nikon version and mounted it on a demanding D800. Find out how it measures-up in our Tamron 24-70mm f2.8 review!

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Panasonic's Lumix FZ60 / FZ62 is a super-zoom camera with 16 Megapixels and a 24x optical range. It's the simpler of two new FZ models, but while it lacks the enthusiast feature-set of the pricier FZ200, it shares the same 25-600mm zoom range at a much lower price point. So if you want the zoom without the bells and whistles, it could be for you. Find out how it compares to rival super-zooms and how its new MOS sensor performs in my Panasonic FZ60 / FZ62 review!

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The Canon ELPH 520 HS / IXUS 500 HS is a super-slim super-zoom camera, packing 10 Megapixels and a 12x optical zoom into a surprisingly compact body. The 520 HS / 500 HS also sports 1080p video and a large 3in screen. It's this compelling array of features which places it near the top of the current ELPH / IXUS range, but is it the right point-and-shoot camera for you? Find out in my Canon ELPH 520 / IXUS 500 review!

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Canon's ELPH 110 HS / IXUS 125 HS is a point-and-shoot camera sporting 16 Megapixels, a 3in screen and a 5x optical zoom. It's the successor to one of Canon's most popular models, boosting the resolution, extending the zoom range and increasing the screen detail. Indeed it's already becoming another best-seller, so here I've put it through its paces, comparing it against the ELPH 520 HS / IXUS 500 HS with its longer 12x zoom. See my Canon ELPH 110 / IXUS 125 review to see which will be best for you!

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At long last I've finished my Nikon D800 review! Travelling commitments coupled with delayed third-party RAW converters has meant it's taken me a lot longer to complete my review than intended, but it's ready to go and a biggie! With over 15,000 words of in-depth analysis, seven pages of results, and numerous comparisons in JPEG, RAW and both full and down-sampled resolutions, you'll discover exactly how Nikon's remarkable 36 Megapixel DSLR measures-up against its arch rival, the Canon EOS 5D Mark III, not to mention medium format digital. Is this the ultimate DSLR, a specialist's dream or both? Find out in my Nikon D800 review!

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Nikon's AF-S 24-120mm f4G is a general-purpose zoom that's corrected for full-frame bodies and compatible with the entire range of Nikon DSLRs. The 5x range goes from decent wide-angle to useful telephoto on a full-frame body, while also sporting a constant f4 aperture and Vibration Reduction. It's also a good option for DX bodies when complemented with an ultra wide zoom like the DX 10-24mm. Find out how it performs under the scrutiny of a D800 in my Nikon 24-120mm review!

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Canon's EOS T4i / 650D is the company's latest upper entry-level DSLR, sporting 18 Megapixels and 1080p HD video and becoming the first with a fully-articulated touch-screen display. The T4i / 650D also becomes the first EOS DSLR to offer continuous autofocusing during video and live view thanks to a new hybrid AF system which combines phase-detect and contrast-based technologies. So while it looks similar to the T3i / 600D from the outside, a raft of new technologies under the hood promise much improved handling. But how well does it all comes together in practice? Find out in my Canon T4i / 650D review!

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Nikon's AF-S 24-85mm f3.5-4.5G ED VR is a new general-purpose zoom lens that works on the complete range of Nikon DSLRs and is fully corrected for full-frame, FX-format models. It features quick and quiet SWM focusing, Vibration Reduction to counteract camera shake, and weather-sealing on the lens mount. It's an affordable option for full-frame owners and one that's generating a lot of interest, so let's test it on the demanding D800 and see how it performs in my Nikon 24-85mm review!

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The Canon PowerShot A3400 IS is a 16 Megapixel point-and-shoot with a 5x stabilised zoom and 3in touch screen. It's the first PowerShot with a touch screen, a feature normally reserved for the more expensive ELPH / IXUS models, and it also features 720p HD video with a choice of creative effects. I've compared it here with the cheaper PowerShot A2300 which shares much the same body, controls and quality, but lacks the touch-screen and optical stabilization. Is it worth spending the extra? Find out in my Canon A3400 IS review!

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With 36 Megapixels, the Nikon D800 comes closer to medium format territory than any DSLR before it, and at a much more affordable price too. Which of course begs the question how the D800 actually compares to a medium format camera in practice. I borrowed a 60 Megapixel Phase One IQ160 system to find out, pitching it side-by-side against the D800. And if that sounds unfair, I did it one more time with two D800 images stitched into a 72 Megapixel monster! Who'll win Gold in the Megapixel Olympics? Find out in my Nikon D800 vs medium format article and look out for my final D800 review coming soon!

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Canon's EOS T4i / 650D is the company's latest upper entry-level DSLR, sporting 18 Megapixels, 1080p HD video and a fully-articulated touch-screen display. The T4i / 650D also becomes the first EOS DLSR to attempt continuous autofocusing during video and live view thanks to a new hybrid AF system which combines the benefits of phase-detect and contrast-based technologies. Ahead of my full review, here's a selection of Canon T4i / 650D sample images for your perusal, all taken with the new EF-S18-135mm STM lens!

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Nikon currently offers three 85mm prime lenses: the ageing AF 85mm f1.8D, the new AF-S 85mm f1.8G, and the largest aperture AF-S 85mm f1.4G, but if you're in the market for a fast short telephoto lens, which one will end up being best for you? To find out we compared all three Nikkors using a Nikon D800 and threw in the Sigma 85mm f1.4 for good measure. The result is an in-depth group test all Nikon DSLR owners should read, and there is one clear winner in the pack! Discover the pros and cons of all four models in our Nikon 85mm comparison!

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Nikon's AF-S 24-85mm f3.5-4.5G ED VR is a new general-purpose zoom lens that works on the complete range of Nikon DSLRs and is fully corrected for full-frame, FX-format models. It features quick and quiet SWM focusing, Vibration Reduction to counteract camera shake, and weather-sealing on the lens mount. It's an affordable option for full-frame owners and one that's generating a lot of interest, so ahead of our full review I'd like to share a selection of sample images taken with a Nikon D800 to really put it through its paces! See our Nikon 24-85mm sample images.

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Morocco has always been high on my list of places to visit and in 2012 I finally made it a reality with a 12 day vacation around the country. Prior to leaving there were two classic images I wanted to capture: the winding streets of old Marrakech and the sand dunes of the Sahara Desert. After hitting the road though I quickly realized Morocco has so much more to offer the traveller and photographer. It's safe, friendly, easy to get around and boasts a surprisingly diverse range of spectacular views. So in my Morocco travel tips article, I'd like to share my route, photos and advice to help you plan an equally enjoyable journey! Even if you're not going though, you may still enjoy my story!

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The Sigma AF 85mm f/1.4 EX DG HSM is a short telephoto lens with a bright f1.4 focal ratio. Available for Canon, Nikon, Sony, Pentax and Sigma mounts, it's also the cheapest 85mm f1.4 lens around with autofocusing capabilities, which makes it a tempting option for those who can't stretch to the high prices of the Nikon 85mm f1.4G or Canon EF 85mm f1.2. We tested the F-mount version on a Nikon D800 to really put it through its paces. Find out how it performs in our Sigma 85mm f1.4 review and look out for a group test coming soon!

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When you're away from home for any length of time you'll inevitably miss your creature comforts. It's different for everyone, but if you're anything like me, you'll pine for your Hifi system. But salvation is at hand for audiophiles on the road: during my working holiday I've discovered how to enjoy top quality audio from a laptop without compromising portability. In my video I'll reveal four key components, each of which can dramatically improve music on the move. Throughout the video I'll also share a selection of my latest photos taken around the UK's Southwest and London. So if you're a laptop user who loves music, check out my Hifi on the move video!

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Panasonic's Lumix ZS15, or TZ25 as it's known outside North America, is a 16x super-zoom camera. It's the more affordable version of the flagship ZS20 / TZ30 super-zoom, and while it lacks its 20x zoom, GPS and touchscreen, it still features a strong core of features including 1080i HD video, full manual control and a stabilized 16x zoom range. Crucially, by employing a slightly lower resolution 14 Megapixel sensor, some may actually prefer the photo quality of this cheaper model. To help you choose the best super-zoom, I compared the ZS15 / TZ25 against the top-end ZS20 / TZ30 and Canon's SX240HS in my Panasonic ZS15 / TZ25 review!

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The E-M5 is the first mirrorless compact system camera from Olympus with a built-in EVF and weatherproof construction. It's styled like the hugely popular OM series of 35mm SLRs in the Seventies, but inside is a thoroughly modern camera based on the Micro Four Thirds standard. It features 16 Mpixels, 9fps shooting, 1080p video, a vertically-tilting 3in OLED touch-screen, built-in 5-axis stabilisation which works with any lens and what Olympus claims is the World's fastest AF. Is this the ultimate all-round mirrorless camera? To find out we put it up against the Sony NEX-7, Panasonic G3 / GX1 and more in our in-depth Olympus E-M5 review!

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The Nikkor AF-S 85mm f1.4G is Nikon's top of the range short telephoto lens. Cameralabs' lens tester Thomas was impressed when he tested it with a D300 and D700 last year, but the big question now is how well it handles the increased demands of the 36 Megapixel D800? To find out, Thomas has completely retested the 85mm f1.4G on the D800 and delivered a brand new page of updated results to complement his existing review! See his Nikon 85mm f1.4G review for the full run-down!

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If you're into wildlife photography or distant sports action you'll want the biggest lens you can afford, but they rarely come cheap. This is where Sigma really comes into its own, offering three affordable stabilized super-telephoto zooms: the 120-400mm, 150-500mm and 50-500mm. The 150-500mm is arguably the most compelling of the three as it delivers a long 500mm reach at a comfortably lower price than the 50-500mm. Cameralabs' lens tester Thomas pushed it to the limits on a Nikon D800. See how it faired in his Sigma 150-500mm review!

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Here’s part four of my travel video blog, filmed from a holiday camp in Salou, Spain. As promised I’ve dedicated this video to describing the settings, techniques and equipment behind some of my favourite photos from my earlier trip around Morocco. I’ll start with a quick update on my working holiday so far, but if you want to skip straight to the photography tutorials, head to 4:30 on the timeline! My next video will be from the UK!

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The Nikon D3200 is the company's latest entry-level DSLR. It replaces the best-selling D3100 and boosts the resolution from 14 to 24 Megapixels using what I believe is the same sensor as the Sony NEX-7 and SLT A65 / A77. The 1080p movie mode now includes 25 and 30fps options along with an external mic input, the continuous shooting accelerated from 3 to 4fps and the screen detail increased from 230k to 920k; there's also an optional Wifi adapter for remote-controlling the camera with Android and later iOS devices. Is this the ultimate entry-level DSLR? Find out in my Nikon D3200 review!

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The Nikkor AF-S 28mm f/1.8G is a new wide angle lens for Nikon's range of DX and full-frame FX-format DSLRs. Cameralabs' moderator and chief Nikon lens tester Thomas has been hard at work putting this lens through its paces with a D800 to see what it's capable of. The result is another in-depth review which reveals the good - and the not so good - news about this prime lens. Find out if it'll make your shortlist in his Nikon AF-S 28mm f1.8G review - which also happens to be one of the first you'll find anywhere online!

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The OM-D E-M5 is the first mirrorless CSC from Olympus with a built-in EVF and weatherproof construction. It's styled like the hugely popular OM series of 35mm SLRs in the Seventies, but inside is a thoroughly modern camera based on the Micro Four Thirds standard. It features 16 Mpixels, 9fps shooting, 1080i video, a tilting 3in OLED touch-screen, built-in stabilisation which works with any lens and what Olympus claims to be the World's fastest AF (again). But the big question is how the image quality measures-up, especially compared to its Micro Four Thirds rival, the Panasonic GX1. Ahead of my full review I compared their noise levels in RAW without any noise reduction to reveal their performance, warts and all!

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