Visual Industry Guide
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The Tamron 20mm f2.8 Di III OSD M1:2 is an ultra-wide prime lens for Sony’s E-mount mirrorless cameras. It's part of a three lens series from Tamron all of which let you focus closer than most rivals. Find out if it's right for you in our review!…
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The Nikon Z 70-200mm f2.8 VR S is a pro telephoto zoom designed for Nikon’s full-frame Z-series mirrorless cameras. Alongside the earlier Z 24-70mm f2.8 and newer Z 14-24mm f2.8, it completes the holy trinity for the Z system, providing 14-200mm at f2.8. Find out whether it meets or surpasses its already excellent predecessor in our in-depth review!…
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The Sigma 24-70mm f2.8 DG DN Art is a general-purpose zoom with a bright and constant f2.8 focal ratio, designed for full-frame mirrorless cameras and available in the native Sony E and Leica L mounts. Find out if it's a viable alternative to Sony and Panasonic's own premium zooms in our full review!…
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The Mitakon Speedmaster 50mm f0.95 III is an exotic and unusual lens: one of only three f0.95 models available for full-frame bodies at the time of writing, and by far the cheapest too. Available in Sony E, Canon RF and Nikon Z-Mounts, we tested it against luxury f0.95 rivals in our full review! …
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The Nikon Z 24mm f1.8 S is a wide-angle prime lens for Nikon’s Z-series mirrorless cameras. It’s the widest native prime in the series so far, delivering classic coverage with a bright aperture. Like other native Z lenses though, it’s up against adapted F-mount options, so in his complete review, Thomas publishes a series of in-depth comparisons!…
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The Samyang AF 35mm f1.4 FE is a mild wide-angle prime lens for Sony's Alpha mirrorless cameras. Announced in 2017, it offers a bright aperture with autofocus and is priced below the Sony FE 35mm f1.4 ZA, FE 35mm f1.8 or even the FE 35mm f2.8 ZA. Find out why the Samyang left Thomas with mixed impressions but still earned a recommended in his full review!…
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The Nikon Z 58mm f0.95 S Noct is a prime lens for Nikon’s full-frame Z-series mirrorless cameras with standard coverage coupled with anything but a standard aperture. It features a unique f0.95 focal ratio gathering almost 4 times more light than f1.8 lenses, earning the "Noct" title. Find out why Thomas describes it as an extraordinary lens in his full review!…
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Sigma's 50mm f1.4 ART is a high-end standard lens with autofocus for Canon, Nikon, Leica-L or Sony mounts. We've completely updated our original review, retesting it at higher resolutions and comparing it to new primes lenses from a variety of manufacturers. Find out why it remains one of the best 50mm lenses around in our review!…
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The Tamron 17-28mm f2.8 Di III RXD is a small and light wide-angle zoom with a fast f2.8 focal ratio that's designed for Sony E-mount full-frame cameras. It nicely complements Tamron’s earlier 28-75mm f2.8 and comes in at a lower price than Sony’s FE 16-35mm f2.8. See how they compare in Thomas's review!…
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The Sony FE 50mm f1.4 ZA is a standard prime lens designed for Sony's E-mount mirrorless cameras and corrected for full-frame bodies. It’s Sony’s top-end option with Zeiss optics and a fast f1.4 focal ratio. Find out how it compares to the other options in Thomas’s full review!…
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The Sigma 28mm f1.4 Art is a medium wide-angle lens designed for full-frame bodies and available in Nikon F, Canon EF, Sony E and Sigma mounts, with the Leica L version arriving later in 2019. It joins Sigma's highly-respected Art series, filling a gap between their 24mm and 35mm options. Thomas put it through its paces in his in-depth review!…
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The Zeiss Otus 100mm f1.4 is a high-end telephoto corrected for full-frame sensors and available in Canon EF and Nikon F mounts. It’s the fourth in the acclaimed Otus series, joining the 28mm, 55mm and 85mm models, all sharing the same f1.4 focal ratio, manual focusing and uncompromised optics. Find out how it compares to the Sigma 105mm f1.4 ART and others in our in-depth review!…
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The Sony FE 35mm f2.8 ZA is a wide-angle prime lens for Alpha mirrorless cameras. Launched with the original A7 full-frame bodies, it remains a popular choice for anyone wanting the most compact general-purpose lens for the system. Find out how if it’s still a contender against multiple rivals and alternatives in our full review!…
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The Zeiss Batis 40mm f2 CF is a short standard prime lens designed for Sony e-mount mirrorless cameras. The 40mm focal length falls between more common 35mm and 50mm models, but is closer to ‘normal’ coverage on a full-frame system, while the close focusing distance makes it more useful than many rivals. Find out if it’s for you in our in-depth review!…
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The Sigma 40mm f1.4 Art is a short standard lens designed for full-frame sensors and available in Nikon, Canon, Sigma, Sony E and Leica L mounts. The 40mm length falls between more common 35mm and 50mm models, but is actually closer to ‘normal’ coverage with a natural perspective that’s ideal for general-use. Thomas compares it to rivals in his in-depth review!…
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Sony's FE 85mm f1.4 GM is a high-end prime lens for its mirrorless cameras. The short telephoto focal length and bright f1.4 focal ratio make it ideal for portraits and the de-clickable aperture ring is ideal for video work. Thomas compared it to the Sigma ART and Zeiss Otus, as well as the budget Sony f1.8 versions to help you find the best portrait lens for your Sony mirrorless!…
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The Zeiss 25mm f2.0 Batis is a wide-angle prime lens designed for Sony’s mirrorless cameras, delivering a popular field-of-view that’s wider than 28mm without the distortion related to even wider options. In my review I’ve compared it against Sony’s more expensive but faster FE 24mm f1.4, as well as the Sigma 24mm f1.4 ART and Zeiss Otus 28mm for good measure! …
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The Nikon Z 50mm f1.8S is a standard prime lens for Nikon’s full-frame Z mirrorless cameras. A popular focal length for street photography and general-purpose use, it’s the third native Z lens to be released, but up against several adapted rivals. Find out why Thomas finds it the best choice it in his in-depth review!…
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The Zeiss Batis 85mm f1.8 is a short telephoto prime lens for Sony’s e-mount mirrorless cameras. It’s a perfect lens for portraits, weddings or events whether mounted on a full-frame or a cropped body and includes optical stabilisation. Find out how it compares to Sony’s 85mm lenses in Thomas’s review!…
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The Nikon Z 35mm f1.8 S is a mild wide-angle prime lens for Nikon’s full-frame Z-series mirrorless cameras. A popular focal length for street photography and general-purpose use, it features an f1.8 focal ratio and fast and quiet focusing. Thomas puts this first Z-mount prime lens through its paces in his review-so-far!…
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The Tamron 28-75mm f2.8 is a general-purpose zoom for Sony’s full-frame mirrorless cameras. It offers a classy step-up from Sony’s entry-level FE 28-70mm f3.5-5.6, and is less than half the price of the FE 24-70mm f2.8 GM. Find out if it's the ideal kit zoom for Sony full-framers in Thomas's review!…
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The Nikon Z 24-70mm f4S is a general-purpose zoom for Nikon’s full-frame mirrorless cameras. The lens features a constant f4 focal ratio, fast and quiet focusing, and a compact design that’s a perfect match for Z bodies. Thomas puts it through his vigorous tests for his full review!…
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The Tamron 17-35mm f2.8-4 is a small, light and wide zoom available for Canon and Nikon DSLR mounts. To find out how it performs. Thomas tested it against Tamron's own 15-30mm f2.8, Nikon's 18-35mm f3.5-4.5 and Tokina's 17-35mm f4. If you're looking for a wide-zoom for a full-frame body check out his Tamron 17-35mm review!…
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The SIgma 105mm f1.4 ART is one of the brightest portrait lenses available, undercutting its only rival from Nikon on price, while giving it a run for its money on performance. Find out if the Bokeh Master is the best portrait lens in our Sigma 105mm f1.4 review!…
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The Tamron SP 70-210mm f4 VC is a telephoto full-frame zoom available for Canon and Nikon DSLRs. It's a first from Tamron coupling a slightly longer reach of 210mm and constant f4 aperture, allowing a reduction in size, weight and price compared to f2.8 models. Check out our review!…
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Tamron's 100-400/4.5-6.3 VC is a long telephoto zoom that's corrected for full-frame sensors and available in Canon and Nikon DSLR mounts. It's the first 100-400mm from Tamron and comes hot on the heels of Sigma's 100-400mm Contemporary. Find out how they compare in our review!…
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Tamron's 24-70mm f2.8 VC G2 is the second version of its popular general-purpose zoom for full-frame DSLRs. The new model improves the AF, adds weather-sealing and supports customization via the TAP console. Thomas finds out if it's the best 24-70mm f2.8 in his in-depth review!…
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The Nikon AF-P 70-300mm f4.5-5.6E is a stabilized 4.3x telephoto zoom corrected for use on full-frame Nikon DSLRs. It's the successor to Nikon's popular but 11 year old AF-S 70–300mm 4.5–5.6G. Thomas finds out how it compares to this and other rivals in his review!…
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The Sigma 24-70mm f2.8 OS Art is a standard zoom for full-frame DSLRs, available in Canon, Nikon and Sigma mounts. It upgrades its decade-old predecessor with ART-level optics and stabilisation. Find out if it's a worthy addition to the ART series in Thomas's review!…
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