Visual Industry Guide
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The Nikon Z 85mm f1.8 S is a short telephoto lens designed for Nikon’s full-frame Z mirrorless system. It becomes the first native prime lens in the system aimed at portrait photographers who desire classic head-and-shoulders compositions with shallow depth-of-field effects. Thomas compares it to rivals in his in-depth review!…
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The Tamron 17-28mm f2.8 Di III RXD is a small and light wide-angle zoom with a fast f2.8 focal ratio that's designed for Sony E-mount full-frame cameras. It nicely complements Tamron’s earlier 28-75mm f2.8 and comes in at a lower price than Sony’s FE 16-35mm f2.8. See how they compare in Thomas's review!…
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The Sony FE 50mm f1.4 ZA is a standard prime lens designed for Sony's E-mount mirrorless cameras and corrected for full-frame bodies. It’s Sony’s top-end option with Zeiss optics and a fast f1.4 focal ratio. Find out how it compares to the other options in Thomas’s full review!…
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The Sigma 35mm f1.2 DG DN Art is a mild wide-angle lens designed for full-frame mirrorless cameras and available in the Sony E and Leica L mounts, the latter working on Leica, Panasonic and Sigma L-mount bodies. The brightest 35mm lens with autofocus to date, it delivers attractive bokeh and impressive sharpness. Find out why you'll want it in our review!…
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The Sony FE 35mm f1.8 is a mild wide-angle prime lens for its Alpha mirrorless cameras. It’s Sony’s third native 35mm lens that’s corrected for full-frame bodies, but pitched at a more affordable price and similar in build and quality to the FE 85mm f1.8. Find out why it's a great option for the money in out full review!…
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The Leica DG 10-25mm f1.7 is a high-end zoom with a fast f1.7 focal ratio for Micro Four Thirds. Mounted on a Panasonic or Olympus M43 body, it delivers equivalent coverage of 20-50mm, providing a flexible general-purpose range from wide to standard. Highly compelling for photographers and especially videographers, check out my in-depth review!…
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The Lumix S PRO 50mm f1.4 is a high-end prime lens for full-frame mirrorless cameras using the L-mount. 50mm is an ideal general-purpose length while the fast f1.4 focal ratio allows shallow depth-of-field effects. Leica’s optical design delivers excellent results, albeit at a correspondingly ambitious price. Check out my sample images and bokeh tests in my Lumix S PRO 50mm f1.4 review so far!…
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The Panasonic Lumix S PRO 70-200mm f4 OIS is a telephoto zoom designed for full-frame mirrorless cameras employing the L-mount. Delivering a classic range for portrait shooters or nearby sports and wildlife, it’s the most affordable telephoto for the L-system to date. Find out how it performs in my review-so-far!…
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The Sony FE 200-600mm f5.6-6.3 G OSS is a super-telephoto zoom for Alpha mirrorless cameras aimed at sports, aviation and wildlife photography without breaking the bank. I went hands-on with the new lens, trying it out for football, birds and jetskis. Find out how I got on in my review-so-far!…
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The Sony FE 600mm f4 GM OSS is a super-telephoto lens for the Alpha mirrorless system aimed at professional sports and wildlife photographers. It’s the 10th G Master lens and becomes the longest focal length in the native e-mount catalogue. I tried it out for my hands-on review-so-far!…
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The Sigma 28mm f1.4 Art is a medium wide-angle lens designed for full-frame bodies and available in Nikon F, Canon EF, Sony E and Sigma mounts, with the Leica L version arriving later in 2019. It joins Sigma's highly-respected Art series, filling a gap between their 24mm and 35mm options. Thomas put it through its paces in his in-depth review!…
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The Canon RF 28-70mm f2L USM is a general-purpose zoom for Canon’s EOS R full-frame mirrorless system boasting an industry-leading f2 focal ratio. It may miss out on the wider 24mm coverage of typical 24-70mm f2.8 zooms, but uniquely boasts an extra stop of aperture. Ahead of my full review, check out my sample images and videos!…
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The Zeiss Otus 100mm f1.4 is a high-end telephoto corrected for full-frame sensors and available in Canon EF and Nikon F mounts. It’s the fourth in the acclaimed Otus series, joining the 28mm, 55mm and 85mm models, all sharing the same f1.4 focal ratio, manual focusing and uncompromised optics. Find out how it compares to the Sigma 105mm f1.4 ART and others in our in-depth review!…
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The Canon RF 85mm f1.2L USM is a short telephoto lens designed for the full-frame mirrorless EOS R system. The fifth native lens for the EOS R system, it’s primarily aimed at portraiture where the focal length delivers a flattering perspective and the fast f1.2 focal ratio allows very shallow depth-of-field effects. Find out more in my preview.…
The post Canon RF 85mm f1.2L USM review – preview appeared first on Cameralabs.
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Owners of the Canon EF 135mm f2L USM consider it a legend, but can a 23 year old lens really compete with a modern design? Ben Harvey pitches the blisteringly-sharp Sony FE 135mm f1.8 GM against his beloved Canon to find out.…
The post Sony vs Canon 135mm – can a 23 year-old lens really compete appeared first on Cameralabs.
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The Zeiss Batis 40mm f2 CF is a short standard prime lens designed for Sony e-mount mirrorless cameras. The 40mm focal length falls between more common 35mm and 50mm models, but is closer to ‘normal’ coverage on a full-frame system, while the close focusing distance makes it more useful than many rivals. Find out if it’s for you in our in-depth review!…
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The Sigma 40mm f1.4 Art is a short standard lens designed for full-frame sensors and available in Nikon, Canon, Sigma, Sony E and Leica L mounts. The 40mm length falls between more common 35mm and 50mm models, but is actually closer to ‘normal’ coverage with a natural perspective that’s ideal for general-use. Thomas compares it to rivals in his in-depth review!…
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The Sony FE 135mm f1.8 G Master is a telephoto prime lens for its Alpha series of full-frame mirrorless cameras, delivering a classic telephoto view with minimal distortion and very shallow depth-of-field effects. I tested a final production sample for my review.…
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The Canon EF-M 32mm f1.4 STM is a standard prime lens for the EOS M mirrorless system, delivering 51mm equivalent coverage coupled with a fast focal ratio that’s ideal for shallow depth-of-field effects. Ahead of my in-depth review, check out my sample images with the lens the EOS M faithful have waited seven years for.…
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The Canon EF-M 32mm f1.4 STM is a standard prime lens for the EOS M mirrorless system, delivering 51mm equivalent coverage coupled with a fast focal ratio that’s ideal for shallow depth-of-field effects. Ahead of my in-depth review, check out my sample images with the lens the EOS M faithful have waited seven years for.…
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The Nikon Z 24-70mm f2.8 S is a general-purpose pro zoom designed for Nikon’s full-frame Z-series mirrorless cameras. The first zoom in the Z series with an f2.8 focal ratio, it also features a dedicated focusing ring, custom button and OLED display. Find out if it's worth paying the premium over the f4 model in our in-depth review!…
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Sony's FE 85mm f1.4 GM is a high-end prime lens for its mirrorless cameras. The short telephoto focal length and bright f1.4 focal ratio make it ideal for portraits and the de-clickable aperture ring is ideal for video work. Thomas compared it to the Sigma ART and Zeiss Otus, as well as the budget Sony f1.8 versions to help you find the best portrait lens for your Sony mirrorless!…
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The Zeiss 25mm f2.0 Batis is a wide-angle prime lens designed for Sony’s mirrorless cameras, delivering a popular field-of-view that’s wider than 28mm without the distortion related to even wider options. In my review I’ve compared it against Sony’s more expensive but faster FE 24mm f1.4, as well as the Sigma 24mm f1.4 ART and Zeiss Otus 28mm for good measure! …
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The Canon RF 35mm f1.8 IS Macro STM is a mild wide-angle lens for the EOS R full-frame mirrorless system. It’s the smallest, lightest and cheapest lens for the system to date, and a flexible all-rounder with 1:2 close-up capabilities. Find out why it's a must-have lens for all EOS R owners!…
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The Nikon Z 14-30mm f4 S is a compact ultra-wide angle zoom designed for Nikon’s full-frame Z-series mirrorless cameras. This fourth native lens in the Z system is ideal for landscape and architecture, and is the first full-frame ultra-wide zoom to take relatively compact and affordable 82mm filters. Find out if it's right for you in my complete review!…
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The Nikon Z 50mm f1.8S is a standard prime lens for Nikon’s full-frame Z mirrorless cameras. A popular focal length for street photography and general-purpose use, it’s the third native Z lens to be released, but up against several adapted rivals. Find out why Thomas finds it the best choice it in his in-depth review!…
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The Zeiss Batis 85mm f1.8 is a short telephoto prime lens for Sony’s e-mount mirrorless cameras. It’s a perfect lens for portraits, weddings or events whether mounted on a full-frame or a cropped body and includes optical stabilisation. Find out how it compares to Sony’s 85mm lenses in Thomas’s review!…
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The Sigma 56mm f1.4 is a short-telephoto lens available for Sony E (APSC) or Micro Four Thirds mounts, on which it delivers equivalent coverage of 84 or 112mm respectively. The focal length and bright f1.4 focal ratio make it ideal for events as well as street or tighter urban views. Find out why it's become a favourite in my review!…
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