Sony FE 35mm f1.4 ZA review

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The Sony FE 35mm f1.4 ZA is a standard wide prime lens for Sony's mirrorless cameras. It's one of many 35mm lenses now available for the full-frame mirrorless Alphas, so in his in-depth review, Thomas compares it to several alternatives to help you make the right choice!…

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Sony FE 90mm f2.8 Macro review

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The Sony FE 90mm f2.8 Macro G OSS is a medium telephoto for Sony's mirrorless cameras. It was Sony's first Macro corrected for full-frame bodies, upon which it'll deliver 1:1 / 1x magnification. In our full review see how it compares to the newer Sigma 105mm DG DN Macro!…

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Sony FE 70-200mm f2.8 GM OSS review

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The Sony FE 70-200mm f2.8 G Master is a pro telephoto zoom for Alpha mirrorless cameras. One of the first G Master lenses, it delivers high resolution details with attractive rendering. Find out in our review if it's still the best option!…

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Nikon AF-P 70-300mm f4.5-5.6E VR review

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The Nikon AF-P 70-300mm f4.5-5.6E is a stabilized 4.3x telephoto zoom corrected for use on full-frame Nikon DSLRs. It's the successor to Nikon's popular but 11 year old AF-S 70–300mm 4.5–5.6G. Thomas finds out how it compares to this and other rivals in his review!…

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Sony E 18-105mm f4 review-so-far

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The Sony E PZ 18-105mm f4G OSS is a general-purpose 5.8x motorized zoom for Sony's cropped-frame / APSC mirrorless cameras, including the A5000, A6000 and original NEX ranges, where it delivers a 27-158mm equivalent range. Check out my sample images from a trip to Thailand!…

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Sigma 24-70mm f2.8 OS Art review

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The Sigma 24-70mm f2.8 OS Art is a standard zoom for full-frame DSLRs, available in Canon, Nikon and Sigma mounts. It upgrades its decade-old predecessor with ART-level optics and stabilisation. Find out if it's a worthy addition to the ART series in Thomas's review!…

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Nikon 8-15mm f3.5-4.5 fisheye review

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The Nikon 8-15mm f3.5-4.5E ED is the first Fisheye zoom for Nikon DSLRs, delivering a 180 degree field-of-view to both cropped and full-frame bodies, while also offering a full circular Fisheye image to full-frame. Find out how it performs in Thomas's in-depth review!…

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Fujifilm XF 50mm f2 review

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The XF 50mm f2 is a short telephoto prime lens for Fujifilm's mirrorless X-series. Delivering a 75mm equivalent field-of-view, it's perfect for portraits with blurred backgrounds or tighter urban and landscape views. I've been comparing it against the XF 56mm f1.2 so find out which is best for you in my review!…

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Nikon 28mm f1.4E review

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The Nikon 28mm f1.4E is a medium wide lens corrected for full-frame DSLRs. It fills a gap between the existing 24mm f1.4 and 35mm f1.4 lenses in the Nikon lineup, and features high-end optics, tough build quality and a price to match. Find out why Thomas reckons it's worth the price in his review!…

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Fujifilm XF 23mm f2 review

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The XF 23mm f2 is a wide lens for Fujifilm's mirrorless X-Series. Delivering a 35mm equivalent field-of-view, it's an ideal general-purpose lens and perfect for street shooters. Find out how it compares to the XF 23mm f1.4 in my in-depth review!…

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Leica DG 8-18mm f2.8-4 review

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The Leica DG 8-18mm f2.8-4 is an ultra wide zoom for Micro Four Thirds. Mounted on a Panasonic or Olympus mirrorless body, it delivers coverage of 16-36mm, providing a flexible range from modest to ultra-wide. Find out why it's become my favourite MFT wide lens in my review!…

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Sony FE 100-400mm f4.5-5.6 GM OSS review

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The Sony FE 100-400mm f4.5-5.6 G Master is a telephoto zoom for its full-frame mirrorless cameras. It delivers the longest reach of Sony's e-mount lenses and boasts high performance for subjects near and far. I've been using the FE 100-400mm at a variety of events on Alpha A9 and A7r Mark II bodies. Check out my experiences and sample images so far!…

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Sony FE 12-24mm f4G review

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Sony's FE 12-24mm f4G is an ultra-wide zoom for its full-frame mirrorless cameras. It delivers the widest coverage in the e-mount lineup to date, and exploits the short sensor to mount distance of mirrorless to achieve a small and light barrel. Find out how it compares to new rivals in our in-depth review!…

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Sony FE 16-35mm f2.8 GM review

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Sony's FE 16-35mm f2.8 G Master is a wide zoom for its full-frame mirrorless cameras. The fifth G Master lens, it completes a 'trinity' of f2.8 models, joining the FE 24-70mm f2.8 and FE 70-200mm f2.8. It aims for high resolution and attractive bokeh, while maintaining quality at all distances. Find out how it measures-up in our full review!…

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Sigma 100-400mm f5-6.3 OS review

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The Sigma 100-400mm f5-6.3 OS is one of the smallest, lightest and most affordable long telephoto zooms around. Corrected for full-frame bodies, it's available in Canon, Nikon and Sigma DSLR mounts and works on Sony mirrorless with the MC-11 adapter. In his in-depth review, Thomas finds out how it compares against rivals that are generally more expensive.…

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Sigma 135mm f1.8 Art review

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The Sigma 135mm f1.8 ART is a mid-length telephoto lens with a bright aperture, available in Canon, Nikon or Sigma mounts. It's corrected for full-frame DSLRs and works on Sony's mirrorless bodies with an adapter. Find out why Thomas reckons it's Sigma's best ART lens to date in his in-depth review - one of the first published!…

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Sigma 12-24mm f4 Art review

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The new Sigma Art AF 12-24/4.0 DG HSM is a worthy successor to Sigma’s AF 12-24mm 4.5-5.6 II DG HSM model from 2011. Optical performance is very good and other aspects of the lens are also improved: The focal ratio is now a constant f4.0, AF is faster, and you get compatibility with Sigma’s USB dock to fine tune…

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Tamron TC-X14 / TC-X20 teleconverter review

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With their second generation telephoto zooms Tamron also offers two new 1.4x and 2x teleconverters (dubbed TC-X14 and TC-X20) which are specifically designed to work with the SP 70-200/2.8 VC G2 and the SP 150-600/5.0-6.3 VC G2. I had the chance to extensively test the Tamron SP 70-200/2.8 VC G2 (model A025) with the TC-X14 and…

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Tamron 70-200mm f2.8 VC G2 review

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Tamron's SP 70-200mm f2.8 Di VC USD G2 is a 2.9x telephoto full-frame zoom available in Canon and Nikon DSLR mounts. It's the second generation (A025) model with closer focusing, improved AF and stabilisation, and compatibility with Tamron's USB "TAP-in" console. In his review-in-progress, Thomas finds out if it's worth spending the extra.…

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Canon EF 11-24mm f4L USM review

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The Canon EF 11-24mm f4L USM is a high-end ultra-wide zoom lens designed for Canon's full-frame EOS DSLRs. It's the World's widest rectilinear zoom lens, boasting minimal geometric distortion despite the extreme coverage. Ideal for shooting large buildings inside and out, expansive landscapes or simply very large group shots, find out how it performs in my Canon 11-24mm review!…

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Samsung launches “S” premium lens line with a 16-50mm F2 – 2.8 S ED OIS

Samsung’s new premium lens line

Samsung S 16-50mm F2-2.8 S ED OIS Lens 1

Samsung S 16-50mm F2-2.8 S ED OIS Lens

Alongside the NX30 Samsung launched a new premium lens line giving it an “S” symbol. Following the trend of creating higher spec lenses for users Samsung revealed its new design ahead of CES.

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