Visual Industry Guide
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The Nikon Z 24-200mm f4.0-6.3 VR is the first super-zoom designed for Nikon’s mirrorless cameras with Z-mount and corrected for full-frame sensors. Check out our review-so-far!…
The post Nikon Z 24-200mm f4-6.3 VR review so far appeared first on Cameralabs.
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The Canon RF 85mm f2 Macro IS STM is a short telephoto lens for the full-frame EOS R mirrorless system, and one of the most affordable in the system to date. Perfect for portraits and close-ups, find out why it's a no-brainer for EOS R owners in my review!…
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The Canon RF 100-500mm is a telephoto zoom for the full frame EOS R mirrorless system. Physically it’s only 15mm longer and an impressive 200g lighter than the earlier EF 100-400, while zooming 100mm further. In my full review I'll compare them both!…
The post Canon RF 100-500mm f4.5-7.1L review appeared first on Cameralabs.
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The Canon RF 600mm and 800mm f11 are very compact super-telephoto lenses for the full-frame EOS R mirrorless system. Find out why they're more usable than you'd think in my full review!…
The post Canon RF 600mm / 800mm f11 review appeared first on Cameralabs.
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The Sigma 100-400mm f5-6.3 DG DN OS is an affordable telephoto zoom designed for full-frame mirrorless cameras and available in Sony e and L-mount versions. Find out how it performs in my review!…
The post Sigma 100-400mm f5-6.3 DG DN review appeared first on Cameralabs.
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The Panasonic Lumix S 20-60mm f3.5-5.6 is a general-purpose zoom for the full-frame L-mount system. One of the smallest, lightest and most affordable L-mount lenses to date, it’s a great walkaround option with wider than average coverage. Find out why it could become your favourite in my review!…
The post Panasonic Lumix S 20-60mm review appeared first on Cameralabs.
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The Panasonic Lumix S 20-60mm f3.5-5.6 is a general-purpose zoom for the full-frame L-mount system. One of the smallest, lightest and most affordable L-mount lenses to date, it’s a great walk-around option with wider than average coverage. Find out why it could become your favourite in my review!…
The post Panasonic Lumix S 20-60mm review appeared first on Cameralabs.
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The Tamron 28-200mm f2.8-5.6 Di III RXD is an all-in-one zoom for Sony’s full-frame mirrorless cameras. It's lighter and more affordable than having both Tamron's 28-75mm f2.8 and 70-180mm f2.8, albeit lacking the constant f2.8 aperture. Find out how it compares to rival super-zooms in our full review!…
The post Tamron 28-200mm f2.8-5.6 Di III RXD review appeared first on Cameralabs.
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The Sony FE 24-70mm f2.8 is a bright standard zoom for its full-frame Alpha mirrorless cameras aimed at events and portraiture. It launched the G Master series but in the face of new rivals is it still your best choice? Find out in our review!…
The post Sony FE 24-70mm f2.8 GM review appeared first on Cameralabs.
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The Canon EF-EOS R Filter adapter lets you mount EF DSLR lenses onto an EOS R mirrorless camera, while exploiting the spare space inside the adapter to accommodate drop-in filters. I tested the polarizer version in my review!…
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The Sigma 30mm f1.4 DC DN is a standard lens designed for mirrorless cameras with 'cropped' sensors. Sigma offers it in Sony e, Canon EF-M and Micro Four Thirds mounts. Find out why it could be your ideal next lens in my full review!…
The post Sigma 30mm f1.4 DC DN review appeared first on Cameralabs.
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The Nikon Z 20mm f1.8 S is an ultra wide-angle prime lens for Nikon’s Z-series mirrorless cameras. It’s the widest native prime lens for the Z system to date but up-against a variety of alternatives including native zooms or adapted DSLR lenses. In our full review, we’ve tested it against a selection of models to help you choose the best ultra-wide lens for your Nikon Z camera!…
The post Nikon Z 20mm f1.8 S review appeared first on Cameralabs.
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The Canon RF 15-35mm f2.8L IS USM is a bright ultra-wide-angle zoom for the full-frame EOS R system. By widening the short-end to 15mm, the RF 15-35mm becomes Canon’s widest zoom with an f2.8 focal ratio and in a key advantage over the EF 16-35mm f2.8, also includes optical IS. Ahead of my full review, check out my sample images with the RF lens.…
The post Canon RF 15-35mm f2.8L IS USM review appeared first on Cameralabs.
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The Tamron 70-180mm f2.8 Di III VXD is a telephoto zoom for Sony’s Alpha mirrorless cameras with a bright f2.8 aperture and an affordable price. Find out how it compares to the Sony FE 70-200mm f2.8 GM in our review!…
The post Tamron 70-180mm f2.8 Di III VXD review appeared first on Cameralabs.
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The Tamron 20mm f2.8 Di III OSD M1:2 is an ultra-wide prime lens for Sony’s E-mount mirrorless cameras. It's part of a three lens series from Tamron all of which let you focus closer than most rivals. Find out if it's right for you in our review!…
The post Tamron 20mm f2.8 Di III M1:2 review appeared first on Cameralabs.
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The Sony FE 20mm f1.8 G is an ultra-wide prime lens designed for Alpha mirrorless cameras. It captures comfortably more than a 24mm, making it ideal for expansive landscapes, tight interiors, wide astro photography, as well as vlogging or environmental portraiture. Find out why you'll want it in our in-depth review!…
The post Sony FE 20mm f1.8 G review appeared first on Cameralabs.
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Sigma has finally released its fabulous triplet of f1.4 APSC lenses in the EF-M mount, transforming Canon's neglected EOS M system. Find out why you'll want them in my video review!…
The post Sigma saves Canon EOS-M appeared first on Cameralabs.
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The Nikon Z 70-200mm f2.8 VR S is a pro telephoto zoom designed for Nikon’s full-frame Z-series mirrorless cameras. Alongside the earlier Z 24-70mm f2.8 and newer Z 14-24mm f2.8, it completes the holy trinity for the Z system, providing 14-200mm at f2.8. Find out whether it meets or surpasses its already excellent predecessor in our in-depth review!…
The post Nikon Z 70-200mm f2.8 VR S review appeared first on Cameralabs.
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The Sigma 24-70mm f2.8 DG DN Art is a general-purpose zoom with a bright and constant f2.8 focal ratio, designed for full-frame mirrorless cameras and available in the native Sony E and Leica L mounts. Find out if it's a viable alternative to Sony and Panasonic's own premium zooms in our full review!…
The post Sigma 24-70mm f2.8 DG DN Art review appeared first on Cameralabs.
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The Mitakon Speedmaster 50mm f0.95 III is an exotic and unusual lens: one of only three f0.95 models available for full-frame bodies at the time of writing, and by far the cheapest too. Available in Sony E, Canon RF and Nikon Z-Mounts, we tested it against luxury f0.95 rivals in our full review! …
The post Zhongyi Mitakon Speedmaster 50mm f0.95 III review appeared first on Cameralabs.
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The Nikon Z 24mm f1.8 S is a wide-angle prime lens for Nikon’s Z-series mirrorless cameras. It’s the widest native prime in the series so far, delivering classic coverage with a bright aperture. Like other native Z lenses though, it’s up against adapted F-mount options, so in his complete review, Thomas publishes a series of in-depth comparisons!…
The post Nikon Z 24mm f1.8 S review appeared first on Cameralabs.
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The Samyang AF 35mm f1.4 FE is a mild wide-angle prime lens for Sony's Alpha mirrorless cameras. Announced in 2017, it offers a bright aperture with autofocus and is priced below the Sony FE 35mm f1.4 ZA, FE 35mm f1.8 or even the FE 35mm f2.8 ZA. Find out why the Samyang left Thomas with mixed impressions but still earned a recommended in his full review!…
The post Samyang AF 35mm f1.4 FE review appeared first on Cameralabs.
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Sigma's Art lenses for full-frame mirrorless cameras transform the Leica-L mount system, bringing focal lengths, apertures and - crucially - prices that were previously unavailable. They're particularly appealing to Lumix S owners who, due to the high cost of Leica's own lenses, have been limited to Panasonic's initial three lenses so far. Find out why you'll want to invest in Sigma in my latest video!…
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The Canon RF 70-200mm f2.8L IS USM is a bright telephoto zoom for the full-frame EOS R mirrorless system. It’s the shortest and lightest 70-200mm f2.8 lens to date. Find out why it's not just event shooters who'll love it in my in-depth review of the first killer lens for the EOS R system!…
The post Canon RF 70-200mm f2.8L IS USM review appeared first on Cameralabs.
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The Nikon Z 58mm f0.95 S Noct is a prime lens for Nikon’s full-frame Z-series mirrorless cameras with standard coverage coupled with anything but a standard aperture. It features a unique f0.95 focal ratio gathering almost 4 times more light than f1.8 lenses, earning the "Noct" title. Find out why Thomas describes it as an extraordinary lens in his full review!…
The post Nikon Z 58mm f0.95 Noct review appeared first on Cameralabs.
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The Sony E 70-350mm f4.5-6.3 G OSS is a telephoto zoom for its E-mount mirrorless cameras with APSC sensors, like the A6000 series. It's designed as a premium option for those who demand better quality and desire longer reach without the even higher cost or bulk of the full-frame and G Master options. Find out why it comes recommended in my review!…
The post Sony E 70-350mm f4.5-6.3 G OSS review appeared first on Cameralabs.
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The Sony E 16-55mm f2.8 G is a high-end general-purpose zoom for E-mount mirrorless cameras with APSC sensors, like the A6000 series. It’s Sony’s first f2.8 zoom designed for APSC mirrorless and one that owners of its higher-end cameras in the series have been crying out for. Find out if it meets expectations in my full review!…
The post Sony E 16-55mm f2.8 G review appeared first on Cameralabs.
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Sigma's 50mm f1.4 ART is a high-end standard lens with autofocus for Canon, Nikon, Leica-L or Sony mounts. We've completely updated our original review, retesting it at higher resolutions and comparing it to new primes lenses from a variety of manufacturers. Find out why it remains one of the best 50mm lenses around in our review!…
The post Sigma 50mm f1.4 Art review appeared first on Cameralabs.
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